Faculty Achievements

Art History Faculty Fellowships (2000-Present)


Jeffrey Kirkwood
Fellowship, International Research Institute for Cultural Technologies and Media Philosophy (IKKM), Bauhaus University, Weimar, Germany, 2016

Tom McDonough
Postdoctoral Fellowship, J. Paul Getty Foundation, 2004-2005
Visiting Scholar, Canadian Centre for Architecture, 2000-2001

John Tagg
Andrew C. Ritchie Lecturer and Visiting Scholar, The Yale Center for British Art and The Yale University Art Gallery, 2016
J. Clawson Mills Senior Fellowship, Metropolitan Museum of Art, 2007-2008
Clark Fellowship, Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, Fall 2005
Chancellor's Award for Excellence in Teaching, State University of New York, 2002
°®¶¹´«Ã½ Award for Excellence in Teaching, 2002

Andrew Walkling
Hanson Lee Dulin Senior Fellowship, Folger Shakespeare Library, 2017
Carl H. Pforzheimer Endowment Research Fellowship in the Humanities, Harry Ransom Center, University of Texas at Austin, 2017
Katharine F. Pantzer, Jr., Fellowship in Descriptive Bibliography, Houghton Library, Harvard University, 2017
Clark/Huntington Joint Bibliographical Fellowship, William Andrews Clark Memorial Library (UCLA Center for Seventeenth- and Eighteenth-Century Studies) and Huntington Library, 2016-17
Andrew W. Mellon Foundation Fellowship, Huntington Library, 2016
Fellowship, Yale Center for British Art, Yale University, 2011
Fellowship, Folger Shakespeare Library, 2011
Fellowship, William Andrews Clark Memorial Library (UCLA Center for Seventeenth- and Eighteenth-Century Studies), 2011

Books by Faculty


Hatch, Kevin. Looking for Bruce Conner. Cambridge, Mass: MIT Press, 2012.

Kirkwood, Jeffrey, and Leif Weatherby, eds. Elements of a Philosophy of Technology: On the Evolutionary History of Culture. Minneapolis: University of Minnesota Press, 2018. 

McDonough, Tom, ed. Boredom. Documents of Contemporary Art. Cambridge, Mass: MIT Press, 2017.

McDonough, Tom and Aruna D'Souza. The Invisible Flâneuse?: Gender, Public Space and Visual Culture in Nineteenth-Century Paris. Critical perspectives in art history. Manchester: Manchester University Press, 2006.

McDonough, Tom. The Beautiful Language of My Century: Reinventing the Language of Contestation in Postwar France, 1945-1968. Cambridge, Mass: MIT Press, 2007.

Smart, Pam. Sacred Modern: Faith, Activism, Aesthetics. Austin, TX: University of Texas Press, 2010.

Tagg, John. The Burden of Representation: Essays on Photographies and Histories. Amherst: University of Massachusetts Press, 1988.

Tagg, John. The Disciplinary Frame: Photographic Truths and the Capture of Meaning. Minneapolis: University of Minnesota Press, 2009.

Tagg, John, and Antonio Fernández Lera. El peso de la representación: ensayos sobre fotografías e historias. FotoGGrafía. Barcelona: Editorial Gustavo Gili, 2005.

Tagg, John. Grounds of Dispute: Art History, Cultural Politics, and the Discursive Field. Minneapolis: University of Minnesota Press, 1992.

Tagg, John. The Cultural Politics of Postmodernism. Current debates in art history, 1. °®¶¹´«Ã½, NY: Dept. of Art and Art History, State University of New York at °®¶¹´«Ã½, 1989.

Raphael, Max, and John Tagg. Proudhon, Marx, Picasso: Three Studies in the Sociology of Art. [Atlantic Highlands], N.J.: Humanities Press, 1980.

Walkling, Andrew. Masque and Opera in England, 1656-1688. Ashgate Interdisciplinary Studies in Opera. New York: Routledge, 2017.